Abstract
Without doubt, beyond the variety of artistic manifestations in Contemporary Art, Sound Art often remains at disadvantage of other disciplines in terms of presence, representation and dissemination. We can assure Sound Art, in its strictest sense, is still a bordering discipline that has not attracted sufficient attention from the art world-system. Since the beginning of the 21st century Asturias represents an important scene that has explored the possibilities of sound with a creative perspective. This paper focus on reviewing the most important manifestations originated on this context and also elucidates the features which distinguish them as artwork, their evolution and different facets of the term.
| Translated title of the contribution | Tracking the sound. Cartography of the sonority in contemporary art from its origin to Asturias of the 21st century |
|---|---|
| Original language | Spanish |
| Pages (from-to) | 105-114 |
| Number of pages | 10 |
| Journal | Lino |
| Volume | 25 |
| DOIs | |
| State | Published - 2019 |
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